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After arriving in New York City, in 1959, he studied at the School of Visual Arts in Manhattan, then worked for Tiffany & Co. The son of a well-known costume jewelry manufacturer, Cipullo developed an appreciation for design in his youth and gained firsthand experience with manufacturing jewelry during an apprenticeship at his father’s factory in Florence. In fact, it was his first piece for the internationally acclaimed French jewelry house, which already counted numerous celebrities among its loyal clientele and had attracted legions of admirers for its brooches and Santos de Cartier wristwatch.
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When he designed the Love bracelet, in 1969, Cipullo hadn't been working long for Cartier, where he was hired only a decade after arriving in the United States. Cipullo believed that the bond and commitment embodied in love deserved their own distinctive symbol. When Italian-born American jewelry designer Aldo Cipullo (1942–84) created the company’s signature bangle, he was inspired by chastity belts. If the robust locking mechanism and miniature screw heads that characterized Cartier’s Love bracelet when it first appeared conjured crude, medieval hardware, there’s a good reason.